The Painted Bridge
But Anna learns that liberty will not come easily. The longer she remains at Lake House, the more she realises that -- like the ethereal bridge over the asylum's lake -- nothing is as it appears. She begins to experience strange visions and memories that may lead her to the truth about her past, herself, and to freedom - or lead her so far into the recesses of her mind that she may never escape…
Set in Victorian England, as superstitions collide with a new psychological understanding, this elegant, emotionally suspenseful debut novel is a tale of self-discovery, secrets, and search for the truth in a world where the line between madness and sanity seems perilously fine.
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The Painted Bridge
Read an Excerpt
Lizzie Button was upside-down. The crown of her head rested on the floor; her feet, in black laced boots, floated above her. Lucas St. Clair leaned his eye closer to the ground glass and brought her face into sharper focus, moving the brass knob back and forth to sharpen the grain of her skin, the strands of cropped hair that lay across her forehead. Her expression was wary. Lucas had trained himself to read eyes that signaled from below mouths, frowns that mimicked smiles. He ducked out from underneath the cloth, replaced the lens cap and looked at her in the flesh, right way up.
“Are you...see more
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Reading Group Guide
Just outside London, behind a tall stone wall, lies Lake House—a private asylum for genteel women. In the winter of 1859, recently married Anna Palmer becomes its newest patient, tricked into leaving her home and incarcerated against her will. With no doubts about her sanity, she is convinced that she will be released as soon as she can tell her side of the story. However, Anna quickly learns that her freedom will not come so easily. The proprietor of Lake House needs patients in order to keep his madhouse in business, and her new husband has much to gain from her absence. But the shabby gloom and odd occupants of the asylum yield some hope: the young visiting physician, a photographer who believes his pictures can reveal the set of a patient’s mind; a longtime patient who seems, to Anna’s surprise, to be as sane as she is; and the proprietor’s bookish daughter who also yearns to leave.
Yet the longer Anna remains at Lake House, the more she realizes that nothing is as it appears. Not the asylum, the patients, her marriage, her see more